Specifications:

Resolution / Maximum Frame Rates

Resolution

Max fps Loop Mode

4096 x 2304 (max res)

938 fps

4096 x 2160 (4K standard)

1000 fps

3840 x 2160 (16 x 9)

1000 fps

1920 x 1080 (16 x 9)

1975 fps

1280 x 720 (16 x 9)

2930 fps

 

Lens Mount PL mount
Sensor Size 27.7 x 15.5 mm  1:1.60
Native ISO 800
Resolution / max frame rate 2048x1080/1975 - 4096x2160/1000  
Max resolution 4096x2304
Codec / Compression .Cine Uncompressed RAW / ProRes
Media Type 128GB Buffer / 2TB CineMag
Audio Input AES
Audio Output  
Viewfinder / monitor -
Internal wff reciever No
Internal ND No
Video output 2 x 1080p 3G HD-SDI (4K Capable)
Dimensions 292 x 140 x 200 mm
Weight 6.3 Kg
Power input V-Mount / 24V DC
Power consumption 12-24V DC, 100-150W

4k Digtal High Speed Camera

The Phantom Flex4K is a full-featured digital cinema camera, capable of speeds that range from standard frame rates up to 1,000 frames-per-second (fps) at 4K and almost 2,000 fps at 2K resolution. Building upon the award winning technology of Phantom digital cinema products, the Flex4K combines features found in the latest cinema cameras with those otherwise found only in specialty cameras.

With the option to record either uncompressed raw or with industry-standard compression*, the work ow is just as exible as the camera’s frame rate. The introduction of in-camera audio* provides a high quality scratch track for sync- sound recording. The latest in non-volatile storage technology is used to move data quickly, while a complete on-camera menu ensures setup and control is intuitive, maximizing ef ciency on set.

PHANTOM FLEX4K 128GB

Designed for the cinematographer, the Phantom Flex4K is a high-speed camera providing exceptional flexibility with its frame rate capabilities and by adapting to different shooting styles. The super-35mm 4K sensor provides sharp, detailed images with extremely low noise and high dynamic range. The Flex4K is capable of shooting from 15 frames-per-second (fps) up to 1,000 fps at 4K, and almost 2,000 fps at 2K/1080p. The camera lets you customize the workflow that makes sense for your production. The Cine raw format ensures the fastest high-speed capture on set and maximum quality and versatility for post-production. Alternatively, choose Apple ProRes 422 HQ to improve download time, hard drive space and simplify the workflow, while maintaining excellent image quality. The full-featured on-camera control interface eliminates the need to connect to a computer on set. All camera parameters can be set from the built in menu on the right side of the camera body, and basic controls can be found on both sides.

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